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"Could not speak more eloquently"
Jeanette Catsoulis, New York Times

"a work of ethereal beauty... utterly engrossing"
John Anderson, Variety

"A work of cinéma vérité of the highest order: vivid, immersive and unflinching"
Sheri Linden, LA Times

Critics' Pick
Chris Klimek, Village Voice

"Oreck’s most perfectly personal work"
Robert Greene, Hammer to Nail

"impeccably conceived and gauged"
Nathan Southern, All Movie

"something you won't have seen before"
Mike McCahill, The Guardian

"majestic and mesmerizing... redefining what documentary filmmaking can be"
Nathan Bartlebaugh, The Film Stage

"like nothing you’ve ever seen"
Kristal Cooper, Toronto Film Scene

"the stuff myths are made from"
Robyn Day, The ARTery

"a guided meditation worth taking"
David Riedel, Santa Fe Reporter

"so splendid, so careful"
Cynthia Fuchs, PopMatters

"immerses you fully in simple lives lived at the extremes"
Bilge Ebiri, New York Magazine

"rugged majesty"
Steve Dollar, Wall Street Journal

"incomparable magic"
Unseen Films

"observational documentary at its purest"
Brandy Dean, Pretty Clever Films

"absolutely breathtaking"
Rachel Kolb, Just Press Play

"a mesmerising piece of immersive film"
David Hepburn, Kirkintilloch Herald

"an insightful take on a way of life"
Gareth Rice, The Skinny

"immersing you in this foreign, beautiful world "
Mina Hochberg, Outside Online

"the truth is in the telling"
Jess Rogers, The Matinee

"exudes kindness"
Rebecca Chan, The Culture Trip

"real emphathy... with a tremendous visual sense"
Brandon Harris, Filmmaker Magazine




Myriapod Productions